The most beautiful photograph I ever saw? I have described it here before. An exhibition of Sam Wagstaff’s photography collection at the Wadsworth Atheneum in Hartford Connecticut: the usual canonized suspects are all there. Then, unannounced, at a distance across the room, scratching at the corner of ones eye, a small –4×6 maybe– black and [...]
White Columns allows itself the luxury –or the, delirium– of putting on shows with zero economic potential that graze in relatively obscure intellectual pastures. Pages from a Magazine: CAMERAWORK is the current wonderful example of this formula. CAMERAWORK was one of a number of left wing journals engaged (very much so) in the critical revaluation [...]
In one sense, Liz Larner’s new installation is held together oxymoronically, by lacunae. The spaces between are a large part of the power of this impressively laconic exhibition. Moreover, the items on display not only bear their paucity proudly but are each idiosyncratic, different from the next object, except for a shared allegiance to abstraction. [...]
A sort of antic incrementalism, in which the sheer number of accumulated found objects stuns the viewer into submission, clogging their visual arteries, presently constitutes an academy in itself. How do we know? Art schools and project rooms across the nation are filled to the brim with such compilations. And indeed it is hard to [...]